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ABOUT GRACIELA

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World-class Argentinian-German soprano, whose 

international career started under the auspices of Plácido Domingo.

Currently focused on the hochdramatisches Repertoire,

she brings a wealth of experience from performances in

main theaters of Austria and Germany,

including the Wiener Staatsoper (+120), Theater Kiel (+180),

Deutsche Oper Berlin (+10), Salzburger Festspiele (+20),

Salzburger Osterfestspiele, Berliner Philharmonie,
Staatsoper Hamburg, Stadttheater Bremerhaven, Theater Bremen,
Stadttheater Klagenfurt, Volkstheater Rostock, Landestheater Neustrelitz,
Theater Lübeck, Hessisches Staatstheater Wiesbaden, Staatstheater Kassel,
Theater Freiburg, Aalto-Musiktheater Essen, 
Oper Frankfurt,

Theater Krefeld Mönchengladbach, Oldenburgisches Staatstheater

and Mecklenburg State Theater Schwerin,

as well as in other European venues,

including the Stadttheater Bern (+180), Nederlandse Reisopera (+25),

Grand Théâtre de Genève, Teatro dell'Opera di Roma, Teatro Comunale

di Firenze, Teatro de la Zarzuela (Madrid) and Prague State Opera,

and in Noth America and South America,

counting Teatro Colón (Buenos Aires), Teatro Argentino (La Plata),

Teatro Libertador Gral San Martín (Córdoba), Teatro Municipal (São Paulo), Dallas Opera, Opera Connecticut and Cincinnati Opera.

Having studied in Buenos Aires

at Conservatorio Nacional de Música Carlos López Buchardo,

at Instituto Superior de Arte del Teatro Colón,

and with vocal guidance by María Jordán de Martínez,

she has performed with leading figures such as:

Plácido Domingo, José Carreras, Christa Ludwig,

Jessye Norman, Piero Capuccilli, Agnes Baltsa,

Renato Bruson and Samuel Ramey.

Directors: Herbert von Karajan, Lorin Maazel, Riccardo Muti,

Bruno Bartoletti, Alberto Zedda, Christian Thielemann,

György G. Ráth, Gustav Kuhn, Silvain Cambreling,

Klaus Peter Seibel, Jesús López Cobos, Horst Stein,

Peter Maag, Leopold Hager, Franz Paul Decker,

Jeffrey Tate, Bruce Ferden, Ira Lewin, 

Hadrian Ávila-Arzuza and Helge Dorsch.

Regisseurs: Franco Zeffirelli, Jan Judge, Philippe Arlaud,

Claes Fellbom, Emilio Saggi, Sergio Renán,

Alejandro Cervera, Kirsten Harms and Tilman Knabe.

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Her repertoire has recently broadened and focuses on the hochdramatisch (highly dramatic), like Aida, Tosca, Turandot,

Minnie (La Fanciulla del West), Leonora (La forza del Destino) and Maddalena (Andrea Chenier), among others.

Also Wagnerian roles such as Brünnhilde, Sieglinde, Isolde,

Brangäne and Ortrud; plus Strauss'

Kaiserin & Färberin (Die Frau ohne Schatten).

While some of Graciela's operas and concerts

are available in CD and DVD, her most recent performances

include Turandot (in 2018) and Tosca (in 2019)

in Buenos Aires, at Opera Festival Buenos Aires,

with musical director Prof. Helge Dorsch.

 
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Graciela de Gyldenfeldt is linked up to Teatro Colón since year 1993, when she performed as Donna Elvira, in Don Giovanni (Mozart),

with general and stage direction by Sergio Renán. She has also performed as a memorable Elena di Troja, in Mefistofele (Boito)

in 1999, along Samuel Ramey; also in productions of Katja Kabanova (Janácek); in concierts with Orquesta Filarmónica

and Orquesta Estable del Teatro Colón; and as Angèle Didier, in Der Graf von Luxemburg (Lehár). Since year 2011 sha has been

invited to offer masterclasses at Salón Dorado (Teatro Colón), and since year 2014 she holds

a singing chair at Instituto Superior de Arte del Teatro Colón.

 

OPERA

REPERTOIRE + ROLES

Verdi

 

 

Puccini

Wagner

Strauss

Korngold

Janácek

Tchaikowsky

Shostakowitch

Boito

Cilea

Giordano

Britten

Bizet

Aida

Don Carlo

Otello

Simone Boccanegra

Un ballo in maschera

Il Trovatore

La forza del destino

Nabucco

Macbeth

Turandot

Manon Lescaut

La Bohème

Tosca

Suor Angelica

Il tabarro

La Fanciulla del West

Madama Butterfly

Lohengrin

Tristan und Isolde

Tannhäuser

Der fliegende Holländer

Die Walküre

Siegfried

Götterdämmerung

Parsifal

Elektra

Salomé

Die Frau ohne Schatten

Der Rosenkavalier

Ariadne auf Naxos

Die tote Stadt

Katja Kabanova

Eugen Onegin

Pique Dame

Lady Macbeth

Mefistofele

Adriana Lecouvreur

Andrea Chenier

Peter Grimes

Carmen

Aida

Elisabetta

Desdemona

Amelia

Amelia

Leonora

Leonora

Abigail

Lady Macbeth

Turandot

Manon

Mimì

Floria

Angelica

Giorgetta

Minnie

Cio-Cio-San

Elsa - Ortrud

Isolde - Brangäne

Elisabeth - Venus

Senta

Sieglinde - Brünnhilde

Brünnhilde

Brünnhilde

Kundry

Elektra

Salomé

Kaiserin - Färberin

Marschallin

Ariadne

Marietta

Katja

Tatjana

Lisa

Katerina

Margherita - Elena

Adriana

Maddalena

Ellen Orford

Carmen

CONCERT

REPERTOIRE

Beethoven

Brahms

Bruckner

Strauss

Mahler

Dvořák

Janáček

Barber

Bernstein

Lloyd Webber

Burggrabe

Verdi

Sinfonie No. 9

Missa Solemnis

Deutsches Requiem

F Moll Messe

Vier letzte Lieder

Andere Lieder

Sinfonien No. 2, 4 u. 8

Stabat mater

Glagolitische Messe

Knoxville, Summer of 1915

Songfest

Requiem

Oratorium Stella Maris

Requiem

LIEDER

from

Guastavino
Ginastera
López Buchardo
Villalobos
Obradors
De Falla
Rodrigo

Vivaldi
Giordano
Pergolesi
Bellini
Donizzetti
Verdi
Wolf-Ferrari
Menotti

Bizet

Ravel
Poulenc
Satie

Schubert
Schumann
Brahms
Wolf
Strauss
Wagner

Grieg
Sibelius
Rachmaninow
Tschaikowsky
Löwe

Gershwin
Llyod Webber

RECORDINGS

 

Tosca (Puccini) - Final part of duo with Scarpia from Act I

Egli vede ch'io piango - June 2019

Tosca (Puccini) - Act I - Aria Tosca & Scarpia

Buenos Aires - 23 June 2019 

Tosca (Puccini) - Acts II & III - Excerpts

Buenos Aires - 23 June 2019

In questa reggia - Turandot (Puccini) - Buenos Aires - 2018

È ver? Sei d'altri? - La battaglia di Legnano (Verdi)

L'altra notte in fondo al mare - Mefistofele (Boito)

Suicidio - La Gioconda (Ponchielli)

Ballade der Senta - Der fliegende Höllender (Wagner)

 

CONTACT

General Management

Rodrigo Agüero Sopeña

​Tel: +54 911 5095 7373​

gruss.gott.artists@gmail.com