Graciela de Gyldenfeldt
Hochdramatischer Sopran
ABOUT GRACIELA
World-class Argentinian-German soprano, whose
international career started under the auspices of Plácido Domingo.
Currently focused on the hochdramatisches Repertoire,
she brings a wealth of experience from performances in
main theaters of Austria and Germany,
including the Wiener Staatsoper (+120), Theater Kiel (+180),
Deutsche Oper Berlin (+10), Salzburger Festspiele (+20),
Salzburger Osterfestspiele, Berliner Philharmonie,
Staatsoper Hamburg, Stadttheater Bremerhaven, Theater Bremen,
Stadttheater Klagenfurt, Volkstheater Rostock, Landestheater Neustrelitz,
Theater Lübeck, Hessisches Staatstheater Wiesbaden, Staatstheater Kassel,
Theater Freiburg, Aalto-Musiktheater Essen, Oper Frankfurt,
Theater Krefeld Mönchengladbach, Oldenburgisches Staatstheater
and Mecklenburg State Theater Schwerin,
as well as in other European venues,
including the Stadttheater Bern (+180), Nederlandse Reisopera (+25),
Grand Théâtre de Genève, Teatro dell'Opera di Roma, Teatro Comunale
di Firenze, Teatro de la Zarzuela (Madrid) and Prague State Opera,
and in Noth America and South America,
counting Teatro Colón (Buenos Aires), Teatro Argentino (La Plata),
Teatro Libertador Gral San Martín (Córdoba), Teatro Municipal (São Paulo), Dallas Opera, Opera Connecticut and Cincinnati Opera.
Having studied in Buenos Aires
at Conservatorio Nacional de Música Carlos López Buchardo,
at Instituto Superior de Arte del Teatro Colón,
and with vocal guidance by María Jordán de Martínez,
she has performed with leading figures such as:
Plácido Domingo, José Carreras, Christa Ludwig,
Jessye Norman, Piero Capuccilli, Agnes Baltsa,
Renato Bruson and Samuel Ramey.
Directors: Herbert von Karajan, Lorin Maazel, Riccardo Muti,
Bruno Bartoletti, Alberto Zedda, Christian Thielemann,
György G. Ráth, Gustav Kuhn, Silvain Cambreling,
Klaus Peter Seibel, Jesús López Cobos, Horst Stein,
Peter Maag, Leopold Hager, Franz Paul Decker,
Jeffrey Tate, Bruce Ferden, Ira Lewin,
Hadrian Ávila-Arzuza and Helge Dorsch.
Regisseurs: Franco Zeffirelli, Jan Judge, Philippe Arlaud,
Claes Fellbom, Emilio Saggi, Sergio Renán,
Alejandro Cervera, Kirsten Harms and Tilman Knabe.
Her repertoire has recently broadened and focuses on the hochdramatisch (highly dramatic), like Aida, Tosca, Turandot,
Minnie (La Fanciulla del West), Leonora (La forza del Destino) and Maddalena (Andrea Chenier), among others.
Also Wagnerian roles such as Brünnhilde, Sieglinde, Isolde,
Brangäne and Ortrud; plus Strauss'
Kaiserin & Färberin (Die Frau ohne Schatten).
While some of Graciela's operas and concerts
are available in CD and DVD, her most recent performances
include Turandot (in 2018) and Tosca (in 2019)
in Buenos Aires, at Opera Festival Buenos Aires,
with musical director Prof. Helge Dorsch.
Graciela de Gyldenfeldt is linked up to Teatro Colón since year 1993, when she performed as Donna Elvira, in Don Giovanni (Mozart),
with general and stage direction by Sergio Renán. She has also performed as a memorable Elena di Troja, in Mefistofele (Boito)
in 1999, along Samuel Ramey; also in productions of Katja Kabanova (Janácek); in concierts with Orquesta Filarmónica
and Orquesta Estable del Teatro Colón; and as Angèle Didier, in Der Graf von Luxemburg (Lehár). Since year 2011 sha has been
invited to offer masterclasses at Salón Dorado (Teatro Colón), and since year 2014 she holds
a singing chair at Instituto Superior de Arte del Teatro Colón.
OPERA
REPERTOIRE + ROLES
Verdi
Puccini
Wagner
Strauss
Korngold
Janácek
Tchaikowsky
Shostakowitch
Boito
Cilea
Giordano
Britten
Bizet
Aida
Don Carlo
Otello
Simone Boccanegra
Un ballo in maschera
Il Trovatore
La forza del destino
Nabucco
Macbeth
Turandot
Manon Lescaut
La Bohème
Tosca
Suor Angelica
Il tabarro
La Fanciulla del West
Madama Butterfly
Lohengrin
Tristan und Isolde
Tannhäuser
Der fliegende Holländer
Die Walküre
Siegfried
Götterdämmerung
Parsifal
Elektra
Salomé
Die Frau ohne Schatten
Der Rosenkavalier
Ariadne auf Naxos
Die tote Stadt
Katja Kabanova
Eugen Onegin
Pique Dame
Lady Macbeth
Mefistofele
Adriana Lecouvreur
Andrea Chenier
Peter Grimes
Carmen
Aida
Elisabetta
Desdemona
Amelia
Amelia
Leonora
Leonora
Abigail
Lady Macbeth
Turandot
Manon
Mimì
Floria
Angelica
Giorgetta
Minnie
Cio-Cio-San
Elsa - Ortrud
Isolde - Brangäne
Elisabeth - Venus
Senta
Sieglinde - Brünnhilde
Brünnhilde
Brünnhilde
Kundry
Elektra
Salomé
Kaiserin - Färberin
Marschallin
Ariadne
Marietta
Katja
Tatjana
Lisa
Katerina
Margherita - Elena
Adriana
Maddalena
Ellen Orford
Carmen
CONCERT
REPERTOIRE
Beethoven
Brahms
Bruckner
Strauss
Mahler
Dvořák
Janáček
Barber
Bernstein
Lloyd Webber
Burggrabe
Verdi
Sinfonie No. 9
Missa Solemnis
Deutsches Requiem
F Moll Messe
Vier letzte Lieder
Andere Lieder
Sinfonien No. 2, 4 u. 8
Stabat mater
Glagolitische Messe
Knoxville, Summer of 1915
Songfest
Requiem
Oratorium Stella Maris
Requiem
LIEDER
from
Guastavino
Ginastera
López Buchardo
Villalobos
Obradors
De Falla
Rodrigo
Vivaldi
Giordano
Pergolesi
Bellini
Donizzetti
Verdi
Wolf-Ferrari
Menotti
Bizet
Ravel
Poulenc
Satie
Schubert
Schumann
Brahms
Wolf
Strauss
Wagner
Grieg
Sibelius
Rachmaninow
Tschaikowsky
Löwe
Gershwin
Llyod Webber
RECORDINGS
Tosca (Puccini) - Final part of duo with Scarpia from Act I
Egli vede ch'io piango - June 2019
Tosca (Puccini) - Act I - Aria Tosca & Scarpia
Buenos Aires - 23 June 2019
Tosca (Puccini) - Acts II & III - Excerpts
Buenos Aires - 23 June 2019
In questa reggia - Turandot (Puccini) - Buenos Aires - 2018
È ver? Sei d'altri? - La battaglia di Legnano (Verdi)
L'altra notte in fondo al mare - Mefistofele (Boito)
Suicidio - La Gioconda (Ponchielli)
Ballade der Senta - Der fliegende Höllender (Wagner)
CONTACT
